The Structure of Writing

downtown light & sky

Writers are unique thinkers. If you’re a writer and reading this, then you probably have an idea about what I mean. We (generally speaking) tend to keep to ourselves, might be a little quiet, definitely a little weird, have a way with stringing words into awesome sentences, have an exceptionally strange fascination with puns, and genuinely have a different way of looking at the world.

Some of this uniqueness may be because we’re constantly thinking about stories and writing, or observing our surroundings and the human condition, or simply just caught up in reading so much that our brains start to think in stories rather than real time.

So how does that uniqueness transfer to actual writing?

The act of writing, or how we write, is unique to each writer. I’d consider it to be in the vein of the writing process. There’s tons of writing on this particular topic, yet something I’ve consistently struggled with. I know WHAT I want to write, but HOW to write it is another story altogether (no pun intended?).

Some writers sit down the same time every day and write where they left off. Some write scenes out of order and then string them together later. Some create their character sketches before writing the story at all. Some outline and then write by following that outline.

I’ve generally been unsuccessful with all of these approaches. Right now, I’m currently trying to write from beginning to end, but I’m really struggling with HOW to do this. It’s such a simple concept, yet when I sit down to do it, it’s actually kind of hard. Is it possible my mind doesn’t think this way when it comes to writing?

The one thing I DO have is a general idea of how the story ends. I haven’t written it yet (maybe I should??) but a few weeks ago I started to think differently about how to write. Well, at least how to write this particular story I’m working on.

If, say for example, there are 5 major points in my story, the 5th being how it ends, how does my main character get to point 5? Answer: they get there from point 4. And how does my character get to point 4? Answer: from point 3. And so on and so forth. Essentially, it’s writing backwards.

But I’m not writing backwards like you might imagine, I’m a little all over the place at this point. I didn’t start with the end, but I took a point that I know my character gets to (near the beginning) and started to write the scenes about how she gets there. Then I’ll take some other points and figure out how my character got to those points. I’m hoping eventually they will all make sense once put together. It’s a new approach I’m taking to writing that’s help curbed the overwhelming-ness of the story in my head.

It’s possible that the underlying reason why writers think so uniquely is because we need to in order to move forward with our stories, and translating this to the real world outside of imaginary places seems like a pretty good skill to own.

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